I’m having a little bit of a setback. I asked my youngest daughter to read what I had so far. Actually I first did this, I guess it was on the 2nd, and other than the opening paragraph, she liked it. And I agreed with her about the beginning. I got off to a bad start, but once I got going it got a lot better. So tonight she came by and I had her read again. She doesn’t like the direction two of the main characters are going in. They are chummier than she likes. And she didn’t like how one of the characters was racist.
In case Neuroticfitchmom is reading, the character is African American. And I was going to comment on your blog but in case I forget I’ll do it here: it must be scary to think about what your kids are hearing from other children if the parents talk like that.
I agreed with her that parts are too much setting the reader up. Kinda like too much logistic and not enough naturally unfolding events. I was brainstorming about how these two families came together and it sort of sounds like I was building a case, I think. And she doesn’t like when I write in dialect. She changed chile to child. What fun is that?
She was on this trip with me and she met two of the characters so I value her opinion. I also value it because I think she is a better writer than I am. Once I helped her with an English paper and the teacher gave her a B. She never let me help her again.
So now I have to decide how strongly I feel about what I’ve dreamt up in the way of plot, and if I am being realistic about these characters. How do you accurately portray a character you’ve made up? The reason I am feeling so unsure is that on the one hand, and my mother-in-law always thought it was excessive, I have a good imagination. On the other hand, maybe, because I live alone and have this “rich inner life,” I don’t have a good grasp of reality. But come to think of it, look at John Irving and some of his characters. Geez, that’s what makes him so great is he doesn’t suffer from those constraints. Who’s to say but the reader whether a character is unbelievable or just takes on, if you will, a fanciful identity? And I suspect the ability to know this, know when you’ve gone too far, is what makes or breaks a writer.
I don’t see any of you second guessing your stuff like this. Do you have someone read it every step of the way? Do you only have a professional, I mean like an editor or another writer read it.? Do you wait until you’ve doctored it up? I want to know yesterday if I have a fake-sounding character.
You know, now that I think of it I don’t know why I thought I could write a black character. But the way the families are coming together race didn’t seem like an issue any more. I shouldn’t hit submit but I’ve read some of your “rants” so here’s mine. And I know “rant” is not the right word but I’m too tired of writing to think of what this would be called: Whining?
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