I got up early to see a show which recaps what’s happened in the stock market for the week. And what a week it was. I’m in pretty good shape, for the time being. That could all change but the stocks I bought this week did not sell off Friday so I am hopeful. And after watching the show I feel validated, for my picks were theirs’.
I have been beating myself up for not writing but I think I should give myself credit for dancing. Between attending dance class Wednesday night, teaching Tuesday night and bellydancing at my blues bar twice a week, I’m in pretty good shape for an old broad. What I hadn’t realized was the progress I’ve made over the years. I was in class this week and the teacher said just do what you want for the last five minutes. She put a song on and two minutes later I noticed I was the only one dancing. We were in a HUGE space with the front and back walls totally mirrored. We had flung our veils off from the group choreography and were standing away from the mirrors, in the center of the room.
When you are in class, facing the mirror, following a teacher, you get used to the idea that bellydance is all about the mechanics of the moves. And you get used to following. Even though I performed, it was always choreographed. Then my tribal teacher got pregnant and quit teaching, and my cabaret teacher moved to Egypt, and I ended up alone in my kitchen with no mirrors, dancing to rock n roll.
Years went by, and I’d quit dancing until I moved over here and discovered the blues. Slowly, I started feeling confident enough to bellydance at the bar. Until last week in class I’d not realized what progress I’ve made, for I have overcome my phobia about dancing to live, Egyptian music. It is tricky, as there are lots of rhythm changes and stops where you need to accent a beat with your hips or chest or arms, and you don’t know when that stop is coming. The idea of performing to a live drum solo was terrifying, previously. But every Sunday the drummer gives me a little something to play with, and, slowly, I’ve gotten over my fears.
The other scary thing is the end of the song. It’s hard to time your last and biggest move with the drummer, but it’s always the same guy every Sunday, and they play a lot of the same songs, so maybe I’ve become accustomed to hearing the end. All I know is that in class, with all eyes on me, I nailed it. I went to bed that night, proud of my progress.
Two weeks ago, when I was at the McMenamins Kennedy School for a Recorder Society meeting (30 people showed up and a world renowned bass player came from Seattle to teach it) I ran into some bellydancers who were also there for a function. The band was the same band I used to dance to every Thursday, and the woman who books the dancers now is someone who was taking private lessons from my cabaret teacher the same time I was. She won a contest using some of my own choreography. Without asking. It was my song and my dance but I blame the teacher for that. We had choreographed it together but I wanted to use another dance for the competition because I had issues with some of her big, showy moves. What I was witnessing wasn’t the competition but a show honoring my teacher and the winners from the previous competition. They obviously hadn’t expected me to show up, as I could barely walk, being in the middle of my second round of chemo. This was in 2001. It was a good lesson though because sitting in the audience, watching this woman doing those cheesy moves, (all the while filled with shock and jealousy) I remember being surprised how good those same moves looked from a distance. Just because something feels cheesy doesn’t mean it won’t look good.
I snuck out of the recorder session to go back where the bellydancers were because I’d seen the thief at the door, selling tickets, and I thought maybe there would be other dancers I knew. She told me to come by Thursday night where they all hang out now. She seemed friendlier this week, and I got to watch her dance after the performers were done. The audience gets up on the dance floor in between performances. She’s still good, having danced her way through all these years I’ve been gone. She had that same old look on her face after hugging me, like she’s got a secret. The band was playing, and we were standing off to the side of the stage. She went into a chest pop and a roll-up while I stood there, smiling back. She’s still beating me. What she doesn’t know is that I can still dance.
Recent Comments